Interested in 360 VideoSphere (360 Virtual Reality)? This series shares what I learnt producing a short film aboard an old Sailing Ship for the Melbourne Fringe Festival.
In the last update, my team of volunteers were looking forward to shooting our first 360 VR short film. Then we hit a hurdle. Our cinematographer was unable to do any test shots or editing, due to incompatibility with his computer and the festival’s practice camera.
AWFUL AUDIO, OR AUDACIOUS?
The hurdle was followed by a face-first tumble into the mud when our sound engineer had an overseas job at the same time as the shoot. We could not reschedule; Melbourne Regatta Day aligned with our shooting window, and was too good to miss.
Plan B. We contacted other specialists, and they were keen to try 360 VideoSphere production, but there was not enough time to line up people and equipment. So we fell back to Plan C; use the Samsung Gear 360 camera’s inbuilt microphone. This would not be great if you’re recording a concert, or producing a narrative that requires directional sound to direct audience attention. Still, for our purposes we were pretty pleased with the quality.
NEW TECHNOLOGY? IF WISDOM FAILS TRY TENACITY
Conventional wisdom with emerging technology is test it early and iron out the inevitable problems. It’s wisdom for a reason.
Unfortunately, the festival’s production units were unavailable in advance. So, we could give up, or improvise and manage the risk. We decided to go for it, and as expected, encountered problems right away.
It is not possible to get behind a 360 camera and look through a viewfinder, but with the Samsung Gear you can use your phone as a remote viewer. A nifty feature, unless as in this case, Samsung block access to the app because you’re in a country where the Camera has yet to be officially released. The festival hadn’t identified this issue because like us, this was their inaugural spin on the 360 dancefloor.
Short of trying solutions like IP masking to make it look like we were in South Korea (where the camera was bought) we would have to shoot blind – so that’s what we did. For example, we climbed the mast and out onto a yardarm to attach the camera. Then, we recovered it after 10 minutes to physically connect it to my laptop and review the footage.
Sometimes even workarounds need a workaround. The case around the camera’s USB port was too small for our cable, and modifying the borrowed camera was out of the question. Our resident inventor, Andrew, borrowed the skipper’s knife and whittled away his own USB cable’s superfluous housing. I admit, I was sceptical but it fit neatly into the Camera’s port.
IN THE NEXT UPDATE
So after a long day shooting we had plenty of good footage.
However, 360 VideoSphere (360 VR) film is captured on multiple cameras. So, this composite footage must be “stitched” together before it can be edited. The results create some unique trials in the editing suit!
- Part 1 of this Series: http://appearition.com/mucking-about-with-360-videosphere-vr/
- Part 2 od the series: http://www.appearition.com/mucking-360-videosphere-vr-boats-part-2/
- Part 4 of the series: http://www.appearition.com/mucking-360-videosphere-vr-boats-part-4/
- Our final 360 VideoSphere of the Tall Ship Enterprize: https://youtu.be/4ktGy2X8W3E
For an immersive experience and ease of use try using a Google Cardboard headset and selecting this icon in YouTube:
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